Saturday, June 1, 2019
Christian and Pagan Influence in Paradise Lost and Beowulf Essay
Christian and Pagan do work in Paradise Lost and Beowulf In Paradise Lost, Milton is adept at draw from both Christian and pagan sources and integrating them in such a way that they reinforce one an other(a) (Abrams 1075). Of course it is a commonplace for critics to believe that Milton valued his Christian sources more highly than the pagan ones (M contrivanceindale 20) this is most likely due to the fact that he regarded the Christian sources as vessels of the truth. His classical allusions, on the other hand, served as references for things fallen or damned. Thus, as seen in the invocation to Book 7 (Descend from heavn Urania, by that name / If rightly thou art called 7.1-2) wherein Milton places his muse Urania, the Greek muse of astronomy, in Heaven and distinguishes her as Christian, Milton works to integrate the Christian and pagan throughout Paradise Lost. Although a detailed number of the reasoning behind his work out is beyond the scope of this essay, because a stric t Classicist might resent the intrusion of the Biblical models, and a strict puritan might equally resent the degradation of the Word of God to the status of a source of precedents for literary composition (Lewis 5), perhaps Miltons choice of form was a political as well as a stylistic one. On the other hand, the reason could be as simple as Milton himself states in the invocation to Book 1 Things unattempted yet in prose or rhyme (1.16). In this one line, Milton borrows directly from Ariostos Orlando Furioso, thus acknowledging the epic tradition, yet as well as challenging that very tradition by promising his readers greatness and originality (Abrams 1476). Paradise Lost, however, is not the first epic to integrate both Christian and tradi... ...ilik, J. T., ed. The Books of Enoch. Oxford Claredon, 1976. Milton, John. Paradise Lost. Elledge 3-304. Mollenkott, Virginia R. The Influence of the Apocrypha in Miltons Thought and Art. Milton and the Art of Sacred Song. Patrick an d Sundell 23-43. Niles, John D. Pagan Survivals and Popular Belief. The Cambridge Companion to Old English Literature. Ed. Malcolm Godden and Michael Lapidge. Cambridge Cambridge UP, 1991. 126-41. Patrick, J. Max, and Roger H. Sundell, eds. Milton and the Art of Sacred Song. Madison U of Wisconsin P, 1979. Sandner, David. The Uncanny in Beowulf. Exploration 40.2 (1999) 162-70. Shawcross, John T. The Hero of Paradise Lost One More Time. Patrick and Sundell 137-47. Steadman, John M. Miltons Biblical and Classical Imagery. Pittsburgh Duquesne UP, 1984.
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